Essential West Magazine
- Featured Artists
- Event Calendar
- Artist Biographies
- News & Press
- Educational Videos
- Podcast
- Essential West
- Learn
Learn about the latest Medicine Man Gallery happenings; all about our artist, see our educational videos about native American art and fine art, watch podcasts with your favorite artists and check out art and history-related links we think you'll enjoy.
Exploring Art, Literature, History, Museums, Lifestyle, and Cultures of the West
It amazes me that four letters - W-E-S-T - have the ability to evoke an instantaneous emotional image. Simply the act of reading these four letters has caused you to form a narrative of your west.
Can the West be distilled to its essence - a simple direction or region? I believe not; it is a deeper dive of consciousness. How America sees itself and the world defines us. Diverse cultures, strong individualism, open spaces, and raw natural beauty marinated in a roughshod history have formed this region’s unique milieu.
Our online magazine’s primary focus is to feature relevant topics in art, literature, history, museums, lifestyle, and culture; lofty goals for any publication. No single magazine can be the beckon of all things western; it is a diverse, evolving paradigm that cannot be pigeonholed. As the publisher, I hope to be the buffalo that grazes the wide expanse of western sensibility and relay to you a glimpse of how I perceive our Essential West.
- Mark Sublette
Featured Article
Art Helps Reconciliation efforts at Fort Lewis College
Reconciliation. A coming together. An understanding. An apology. Reconciliation with and for Indigenous communities in the United States aims to address the historical and ongoing legacy and impacts of U.S. settler colonialism on Indigenous communities, repair relationships between Indigenous and non-Indigenous peoples, and foster healing for Indigenous communities. Reconciliation at Fort Lewis College in Durango, CO is a...
Start an Art-Filled 2026 with the California Desert Plein Air Festival
No better way to begin an art-filled 2026 than with the California Desert Plein Air Festival January 8 through February 1 in Palm Desert. The event celebrates the California desert’s tradition of landscape painting en plein air – outdoors. “Our landscape, flora, and fauna – we have the best,” Diane Moore, co-founder of the nonprofit Desert Plein Air Association, the Festival’s organizer, said of the area’s appeal to plein air painters. “And it happens that our prime time of year is January and February, and that’s not good for the rest of the country.” The event opens with four days of...
Georgia O'Keeffe's Connection to the Amon Carter Museum
Georgia O’Keeffe’s history with New Mexico is well known. In 1929, O’Keeffe first visited the state with her artist friend Rebecca Strand. They stayed for three months in Taos with famed arts patron Mabel Dodge Luhan. At this time, O’Keeffe (1887-1986) was living in New York City and spending summers upstate at Lake George. O’Keeffe fell in love with northern New Mexico, a deeper love than she had for her husband, photographer and gallerist Alfred Stieglitz. She returned almost every year in the late spring and summer until Stieglitz died in 1946, then moved there permanently. Lesser known is O’Keeffe’s...
Clyfford Still: Western Artist
Western artwork by artists not considered “Western” fascinates me. Particularly the early and mid-century American masters. Marsden Hartley, Stuart Davis, John Marin, Thomas Hart Benton, Jackson Pollock, Richard Diebenkorn. A-listers associated with Modernism, with American art, but never the art of Western America. Georgia O’Keeffe, too. Despite her deep engagement and decades spent living and painting the West, she’s never thought of as a “Western” artist. This exclusion comes at the hands of American art historians, curators, and writers, and at the hands of Western art historians, curators, and writers. I will never understand why so many devotees of Western...
Along the Pecos River in West Texas, an Artistic Tradition Unbroken for 4,000 Years
Carolyn Boyd wasn’t a trained archaeologist when she first visited the rock art sites in West Texas along the Pecos River. She was an artist. Being one and not the other allowed her to see something one, but not the other could. “I saw compositions,” Boyd, Shumla Endowed Research Professor in the Department of Anthropology at Texas State University, said. “Highly sophisticated, well-planned compositions with rules in terms of the way that they applied the paint making it even more complicated.” Hitherto, researchers believed the massive rock art murals – some stretching as long as 100-feet, with individual figures nearly...
Portland Art Museum Opens Expansion with Focus on Northwest Art
The Portland Art Museum opened its $110-plus million Mark Rothko Pavilion to the public on November 20, 2025. The glass building provides a new main entrance for PAM, new terraces and display spaces, a new gift shop and café, and connects its two historic buildings. Portland Art Museum's Grand Gallery inside Mark Rothko Pavilion. Mark Rothko (1903-1970), icon of mid-century New York Abstract Expressionism, seems like a random figure to name anything in Portland after until informed that he grew up there. His family emigrated from Latvia when he was 10. Rothko took classes at the Museum’s art school. He...
Honoring the Navajo Code Talkers Through Portraiture
Elwyn Shorthair (b. 1988; Shiprock, New Mexico) has been painting portraits of Navajo Code Talkers since 2020. He picked up the project from James King who passed in 2019. King helped mentor Shorthair. The portraits are commissioned by Navajo YES, a nonprofit organization based on the Navajo Nation created to provide positive activities for youth and families, mostly outdoors, like hiking and mountain biking. In 2015, the group began a series of running events, the Navajo Parks Race Series; one such event was called Code Talker 10K. At that time, many of the famed Navajo Code Talkers were still alive....
Oscar Howe and the Origins of Contemporary Native American Painting
Oscar Howe was a radical in accountant’s clothing. An artistic revolutionary in a white, short-sleeved button-down dress shirt with pens in his pocket, thick black glasses, and a banker’s haircut. A square. One of his favorite hobbies was bowling. Looks can be deceiving. Oscar Howe (1915-1983; Yanktonai Dakota) painted some of the most radical pictures ever by a Native artist. Radical by 2020 standards, let alone for the 1950’s, 60’s, and 70’s when he was producing them. Frenzied motion. Horses bucking and buffalo galloping. Stylized Native figures. Strong. Spiritual. Howe mixed Cubism, Italian Futurism, geometry, precise lines, graphic arts, and...
Western Art: Is it or isn't it?
Is it, or isn’t it? Western art. My Fall 2025 travels have included the Amon Carter Museum of American Art in Fort Worth and the Saint Louis Art Museum. I’m always curious to see what “Western” artworks and artists are on display at non-Western specific art museums. With its foundational collection of C.M. Russell and Frederic Remington sculptures and paintings, the Amon Carter has one of the finest collections of Western art in the country, even though its focus expands to include American art broadly. At both institutions, I found myself especially intrigued by works occupying the edges of Western...
Gallup, NM's County Courthouse Doubles as an Art Museum
Are art and culture amenities in civic life like swimming pools and tennis courts? Or are they essential, like clean air and public transportation? The United Nations lists art and culture as universal human rights. In the aftermath of World War II, a complete collapse of humanity, the newly formed United Nations established the “Universal Declaration of Human Rights.” Article 27 states: “Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.” Enjoyment of the arts as a human right. Art and culture...
The West and Western Art as Seen from the South and Far East
When looking at the West as a region, your location determines your view. Are you standing inside looking out or outside looking in? Are you looking west from “back east” across Texas, Oklahoma, and Kansas, or looking east from the (Far) East across California, Oregon and Washington When looking at the West, do you see Chinatowns or cattle drives? What about looking north to the West? Looking from Mexico. The Amon Carter Museum in Fort Worth presents a pair of fascinating exhibitions challenging how we imagine and “see” the West and Western art by considering the region from eastern and...