Lisa Danielle Biography

Lisa Danielle Biography

 

Lisa Danielle, Ranch Romances: Western Love in the 1950's, Acrylic on Board, 20" x 24"

Lisa Danielle, Ranch Romances: Western Love in the 1950's, Acrylic on Board, 20" x 24"

 

 

From her studio in picturesque Sedona, Arizona, Lisa Danielle has been crafting luminous still- life paintings for 35 years, bringing to light centuries of cultures of the Western frontier she loves.

Surrounded by historic ranches, Indian lands, and world-class museums, Lisa favors object that are otherwise inaccessible to most, visually preserving moments in time. Cliff dwelling ruins are with within hiking or horseback riding distance, and inspiration is virtually everywhere in her beloved red rock country. 

 

Lisa Danielle, Dances with Horses , Acrylic on Panel, 36 " x 24"

Lisa Danielle, Dances with Horses , Acrylic on Panel, 36 " x 24"

 

Lisa’s ramblings, however, have led to more distant historic venues, from Montana’s Virginia City, Fort Benton, Crow Agency and many battlefields, to the back country of Death Valley, looking for traces of long past events. The inspiration given her has allowed Lisa to continue sharing her vision through Leanin’ Tree Publishing, major western art magazines, and the seven galleries representing her work throughout the West.  

Lisa Danielle, The Deer Dancer , Acrylic on Panel, 24 " x 30 "

Lisa Danielle, The Deer Dancer , Acrylic on Panel, 24 " x 30 "

 

 

Lisa Danielle paintings garner museum recognition and awards, including “Best Painting” at this show in 2014, but her greatest delight is individuals making a personal connection to a piece, taking  home that glowing bit of history, and adding it to their own timeline, thus preserving the continuous tradition of storytelling, from rock art and cave paintings, to the West of the present.

 

Lisa Danielle, Grand Canyon Memories - Old Trading Days , Acrylic on Board, 36 " x 24"

Lisa Danielle, Grand Canyon Memories - Old Trading Days , Acrylic on Board, 36 " x 24"

 

 

Artist Statement

 

“When you think about our lives, most of the things we experience are in some way tied to the past, and I want my art to make that connection.  I guess that is why I love representational art as opposed to abstract.  For me, it’s rather like comparing non-fiction to fiction writing.  There are so many incredible true stories out there that I prefer to paint them rather than create a make-believe world.  Once fiction is over, it’s gone, but the real stories endure the test of time, and we refer back to them again and again.”

 

Over the years Danielle has also built up a diverse collection of historic memorabilia.  She tells a story about her great-grandmother, who taught school on the San Carlos Apache reservation in southern Arizona.

 

“As a token of their affection, the Indians gave her a number of wonderful things, including baskets and pottery.  When she died, she left them to my grandmother who just stored them in her attic.  One day Grandma saw some of the western paintings I was doing, so she whispered to me that she might have a few things that I would find of interest.  When I saw what she had, it took my breath away, for it was almost as if those things had been waiting just for me.  That bit of history gives me a special connection to the objects I use in my work.”  Recently, Danielle has begun to combine items from other cultures, including Oriental.  “I began to see that life’s an even bigger picture than I though,” she explains.  “No matter what our heritage, the love of beauty is found all over the world.”  And Danielle’s art does reach across national boundaries through Leanin’ Tree Cards, which has published many of her images – she hears from people as far away Japan and Germany.  The universality of her work can be measured by the appeal of one particular image – a pair of red boots with a yellow star on top sitting in the window of an old stone barn. “It was one of the first images that Leanin’ Tree published for me.  In addition to being printed on several sizes of cards, it also appeared on tee shirts, refrigerator magnets, and even key chains.  At last report, those boots had been reproduced more than a million times. I guess for many people this image was the essence of the west, and everybody who ever wanted to be a cowboy or cowgirl must have imagined themselves standing in those boots.”  She reflects, “Touching lives is the real legacy I want to leave with my art.”

 

Studies:

  • California State College at Long Beach, Art Major
  • Art Center College of Design, Los Angeles and Pasadena
  • Long Beach City College, Life Drawing Classes

 

Collections, Museums, Group Affiliations:

  • President, 5 yr, Women Artists of the American West

 

Recent Awards:

  • First Place and Cash Award, Cowgirl Up! Art from the Other Half of the West, Desert Caballeros Western Museum, Wickenburg, AZ

Selected Shows:

  • 2017 “Cowgirl Up!” Show, Desert Caballeros Museum – Wickenburg, AZ
  • 2017 25th Anniversary Celebration, Mark Sublette Medicine Man Gallery, Tucson, AZ
  • 2012 4th Annual Small Paintings Shows and Sales, Mark Sublette Medicine Man Gallery, Santa Fe, NM
  • COORS National Western Art Show – Denver, CO
  • Colorado Springs Fine Arts Center - Colorado Springs, CO
  • “Cowgirl Up!” Show, Desert Caballeros Museum – Wickenburg, AZ
  • Holter Museum of Art – Helena, MT
  • Los Angeles County Museum of Natural History – LA, CA
  • Mountain Oyster Club Show – Tucson, AZ
  • Nicolaysen Art Museum – Casper, WY
  • Peppertree Art Show – Santa Ynez, CA

Permanent Collections:

  • Favells' Musuem of Western Art and Artifacts, Klamath Falls OR
  • The Leanin' Tree Museum, Boulder CO
  • Colorado Springs Fine Arts Center, Colorado Springs, CO
  • Holter Museum of Art, Helena MT
  • Nicolaysen Art Musuem, Casper WY
  • San Bernadino County Offices
  • Forest Fenn, private collection

 

Select Publications: 

 

  • Western Art Collector, March 2018
  • Western Art Collector, October 2013
  • AZCentral.com, ‘Cowgirl Up! Showcases Art of 59 Women” by Randy Cordova, March 2013
  • Phoenix Home and Garden, February 2012, Page 82
  • Western Art Collector, May 2010
  • Western Art Collector, March 2010
  • Southwest Art Magazine, “Contemporary Western Artist” article
  • Midwest Art Magazine, “Artist Worth Watching”
  • Arizona Galleries and Their Artist
  • Artist of Arizona
  • The Leaning Tree Publishing Co., over 60 images in print
  • The 3M Company
  • Guildhall Inc Publishing
  • Bruce McGraw Graphics
  • Bucilla Needlecraft and Stichery Design Co.
  • The Hamilton Collection "Lore of the West" Collector Plate Series
  • Great Guns of the Old West
  • History of the Osage People, Book Jacket and Frontspiece

 

 

Lisa Danielle, Kachina's & Corn , Acrylic on Board, 24 " x 12 "

Lisa Danielle, Kachina's & Corn , Acrylic on Board, 24 " x 12 "